When I graduated from college in 1985 I hit the private sector as an aspiring illustrator. It seemed that the coolest thing to get into was editorial and publishing work, since the other alternatives suggested to the students were Advertising, children's books, or medical and technical illustrators (for visual reference).
I put a portfolio of work together and hawked around the magazine and periodical business for about 7 years.
During that time I worked regularly for a variety of publications like Crain's Business, Outside, Playboy, National Lampoon, Student Lawyer, The Atlantic Monthly.
I really enjoyed doing this kind of work, ..but the assignments were inconsistent, and it never paid well enough to cover all the rent. During this time I supported myself by working at an advertising agency, ..which, after 5 years, was more than enough. I had my own personal work to nourish me, and once I got into the toy business I was so busy that I stopped pursuing editorial work altogether.
All of my editorial work was done before the advent of Mac and Phototshop.
I worked with gouache wet media and colored pencil, developing a 'resist' technique that gave a textural and atmospheric feel that I liked.
These are unretouched.
..this Escher-esque piece inspired one art director to suggest the following, for an article on the acceptance of women CEOs in the corporate world;
..some other spot illustrations;
Over the years, a number of art directors have suggested that I pursue illustrating for children's books.
I had a nice working relationship with Playboy Magazine, and they even called me to do a few 2 page illustrations on occasion. This is one of several spots I did for them sometime in the early 1990s;
This is an illustration for the cover of a 1994 issue of Student Lawyer magazine;
2 years ago